https://e-journal.unair.ac.id/MOZAIK/issue/feed MOZAIK HUMANIORA 2024-08-03T00:00:00+07:00 Lina Puryanti, S.S., M.Hum., Ph.D. mozaik@fib.unair.ac.id Open Journal Systems <p><strong>Mozaik Humaniora</strong> is a journal that focuses on the scope of humanities and accepts articles on cultural studies, linguistics and literary studies, as well as philology and historical studies. It has been accredited as SINTA 2 by <em>Kemenristek-Dikti</em> (<span class="st">Ministry of Research, Technology and Higher Education</span>) with the Decree No. 200/MKPT/2020 issued on December 23, 2020.</p><p>Journal of Mozaik Humaniora is published by Faculty of Humanities, <a href="/" target="_blank">Universitas Airlangga</a>. It has two editions in a year which is published two times consisting of First Edition (January-June) aand Second Edition (July-December). Journal of Mozaik Humaniora accepts <span class="tlid-translation translation" lang="en"><span title=""> various academic articles from scholars and practitioners from Indonesia and abroad to exchange ideas and communicate research on the Humanities. Journal of Mozaik Humaniora only accepts the online submission through Online Journal System (OJS) application.</span></span></p> https://e-journal.unair.ac.id/MOZAIK/article/view/42392 “Call Me Judy”: Cross-Cultural Interaction in Asian-American Environment 2024-07-05T10:33:30+07:00 Palupi Paramarta Effendi palupi.paramarta.effendi-2021@fib.unair.ac.id <p>This study scrutinizes the cross-cultural interactions in the 2019 Asian-American movie <em>Always Be My Maybe</em>. A notable linguistic feature that diverges across cultures is the honorific system, which varies significantly between Asian and Western contexts. This research analyzes the honorifics employed in the movie using a qualitative approach, grounded in Brown and Levinson’s politeness theory. The findings reveal that, despite the Asian-American setting, the Korean main characters often use the Korean honorific system to address elders, highlighting cultural retention. Additionally, the study underscores that acculturation occurs naturally for individuals living in different cultural environments over time. However, it emphasizes that individuals do not entirely abandon their original culture nor fully adopt the new one. This dynamic is illustrated through the characters’ interactions, where they navigate between Korean and Western addressing systems based on context and relationships. The use of honorifics and politeness strategies plays a crucial role in avoiding misunderstandings and maintaining harmony. Another finding from this study, which is related to the first, shows that acculturation is inevitably encountered by someone who has been living in a different culture for a period of time. This study serves as a case analysis representing the interplay of honorific systems from two cultures, providing insights into sociopragmatic behaviors in cross-cultural settings.</p> 2024-07-31T00:00:00+07:00 Copyright (c) 2024 Palupi Paramarta Effendi https://e-journal.unair.ac.id/MOZAIK/article/view/45231 Bisexual Identity in a Religious Environment in Christina Lauren’s Autoboyography 2024-07-08T04:46:14+07:00 Siti Atiqahgania A. Sasli atiqahgania05@gmail.com Ikwan Setiawan ikwansetiawan.sastra@unej.ac.id Hairus Salikin hairus@unej.ac.id <p>This study focuses on analyzing the representation of bisexual identity in Christina Lauren’s novel "Autoboyography." Through qualitative research, the aim is to reveal the discourse of bisexuality constructed by the acts and behaviors of other characters toward the male main characters using Stuart Hall’s theory of representation, with a particular focus on Michel Foucault’s discursive approach. Another objective of this study is to examine the critical position of Christina Lauren as the novel’s author towards the issue of bisexuality. The findings reveal that the author created characters who both oppose and support bisexuality, thereby highlighting the issue of bisexuality in the 21st century. Through their narrative, the author sheds light on the challenges faced by male individuals living as bisexuals in a religiously conservative environment. By doing so, Christina Lauren not only addresses social issues surrounding bisexuality but also illustrates the main character's struggles in accepting a bisexual identity in an environment influenced by religious beliefs.</p> 2024-07-31T00:00:00+07:00 Copyright (c) 2024 Siti Atiqahgania A. Sasli, Ikwan Setiawan, Hairus Salikin https://e-journal.unair.ac.id/MOZAIK/article/view/47981 Kodokushi as the Impact of Juggernaut of Modernity in Japanese Hyper-Aging Era 2024-07-05T11:07:18+07:00 Putri Elsy putri-e@fib.unair.ac.id I. B. Wirawan wirawan.ib1949@gmail.com Pinky Saptandari pinky.wisjnubroto@gmail.com <p>This article aims to describe the phenomenon of kodokushi (lonely death) among the elderly in Japan’s hyper-aging society as a negative impact of modernity. The research is analyzed through Anthony Giddens’ juggernaut of modernity perspective. The juggernaut is a walking machine (giant panzer) with extraordinary power, which we can steer to a certain extent but is also likely to lose control and tear itself to pieces. The results show that the phenomenon of lonely death (kodokushi) in the elderly reflects the uncontrollable juggernaut of modernity. Changes in family structure, the decline in birth rates, and cultural values that Japanese people hold cause kodokushi to remain high in Japan, especially among the elderly. Elderly people who live alone without traditional family or community ties live in social isolation. In the context of Giddens' Juggernaut of Modernity, the juggernaut has lost control. The phenomenon of kodokushi reflects complex challenges. Many older people experience isolation and loneliness due to a lack of strong social ties. Culturally, the ingrained culture of not wanting to inconvenience others (meiwaku wo kakutakunai) in Japanese society is a barrier to overcoming kodokushi. Addressing this phenomenon requires holistic efforts from the government, social institutions, and society. Although efforts to overcome kodokushi have been made, understanding and dealing with these complexities is crucial in Japan's hyper-aging society.</p> 2024-07-31T00:00:00+07:00 Copyright (c) 2024 Putri Elsy, I.B. Wirawan, Pinky Saptandari https://e-journal.unair.ac.id/MOZAIK/article/view/48691 An Ideal Marriage: A Study of the Marriage Sermon in the Perspective of Gadamer’s Hermeneutics 2024-07-08T07:38:30+07:00 Mochtar Lutfi mochtar-l@fib.unair.ac.id Mohammad Adib mochtar-l@fiib.unair.ac.id Ida Bagus Putera Manuaba mochtar-l@fiib.unair.ac.id <p>This paper aims to find a dynamic relationship between the text and the interpreter in the marriage sermon. This dynamic is explored by utilizing qualitative methods with the Gadamer’s Hermeneutics approach, which focuses on the acceptance of listeners or readers rather than the speaker's intent. There are two parties involved in understanding: the horizon of the text and the horizon of the interpreter. Gadamer's hermeneutics illustrates hermeneutics as a fusion of horizons. Hermeneutics is an attempt to clarify the conditions for understanding to take place. Thus, the meaning of the text is no longer limited to the author's intent but is open to the interpretation of the reader. There is a dynamic relationship between the horizons of the text and the horizons of the interpreter. Brides and families receive marriage advice when arranging paperwork at the Office of Religious Affairs, ordering material from the <em>khatib</em> to be delivered during the marriage sermon, and the atmosphere at the ceremony venue supports understanding the horizon of the text with the horizon of the interpreter. Therefore, the fusion of horizons of the text and the interpreter of the marriage sermon from the perspective of Gadamer's Hermeneutics shows the formation of a prosperous, happy, and noble family, in line with the concepts of <em>sakinah</em>, <em>mawaddah</em>, and <em>warrahmah</em>.</p> 2024-07-31T00:00:00+07:00 Copyright (c) 2024 Mochtar Lutfi https://e-journal.unair.ac.id/MOZAIK/article/view/48797 Modernity of Women Subject in Eka Kurniawan’ Cantik Itu Luka (2002): A Study of Post-Colonial Feminist Literary Criticism 2024-07-05T10:43:52+07:00 Maisyaroh Febriana Putri febrianaputri2209@gmail.com Dwi Susanto febrianaputri2209@gmail.com <p>This study aims to dismantle the narrative of the female subject’s modernity which was built by the author as a representative of a social group or class. In order to achieve this objective, the researchers used qualitative approach, which prioritizes data quality to data size. The data in this study is the novel <em>Cantik Itu Luka</em> by Eka Kurniawan, and other information related to the research topic. Then, the data were analyzed using binary opposition deconstruction and postcolonial feminism theory. Data analysis focuses on the narrative structure of the text and its ideas regarding colonial discourse and the narrative construction of the modernity of female subjects, as well as the author's historical and sociological context in relation to the text. The results show that the construction of the female subject presented in the text <em>Cantik Itu Luka</em> (2002) is a woman who is resistant to the discourse of modernity. In the context of colonial discourse, the female subject is a woman who participates in the rebellion against patriarchal cultural oppression and globalization. The discourse of modernity built by Eka Kurniawan is that women are required to maintain their national identity amidst the commotion of global culture. The construction of the female subject in the text is an ideal formed by male critical intellectual groups to represent and advocate women who have difficulty getting space and position in the social order.</p> 2024-07-31T00:00:00+07:00 Copyright (c) 2024 Maisyaroh Febriana Putri https://e-journal.unair.ac.id/MOZAIK/article/view/49244 Translation Strategies of Nusantara Food Menu 2024-07-05T11:06:19+07:00 Agus Darma Yoga Pratama agusdarmayoga85@yahoo.com Dewa Ayu Dyah Pertiwi Putri diahpertiwiputridewaayu@gmail.com <p>The research aims to analyze the translation strategies and the use of Culture-Specific Items (CSIs) in nusantara food menus in Indonesia. Translators usually use their perception to translate the menu without the involvement of the chefs. As a result, the translation of food menus can vary from one restaurant to another because each chef has their unique way of preparing their food. Collaboration between translators and chefs is necessary to ensure that the translated menus highlight the characteristics and uniqueness of each dish. The results show that the translation strategies used are Reduction and Expansion (81 data), Couplets (34 data), Cultural Equivalence (8 data), Transference (7 data), Descriptive Equivalence (5 data), Functional Equivalence (4 data), and Naturalization (2 data). The use of CSIs found in the data are Ingredients (186 data), Cooking Techniques (113 data), Seasoning (83 data), Proper Name (39 data), Flavor (9 data), Color (7 data), and Texture (4 data). However, the translation strategy of Synonymy, Through-Translation, Shift or Transposition, Modulation, Recognised Translation, Translation Label, Compensation, Componential Analysis, Paraphrase, and Other Procedures are not found in the data.</p> 2024-07-31T00:00:00+07:00 Copyright (c) 2024 Agus Darma Yoga Pratama, Dewa Ayu Dyah Pertiwi Putri https://e-journal.unair.ac.id/MOZAIK/article/view/49718 Cultural Recontestation of Chinese Ethnicity in Surakarta City During the Reformation Era 2024-07-08T09:46:54+07:00 M. Bagus Sekar Alam bagussekaralam@gmail.com Rudiansyah rudiansyah@staff.uns.ac.id Ulfah Yanuar Lianisyah lianli@staff.uns.ac.id Tati Sugiarti tati.sugiarti@staff.uns.ac.id <p>One of the assimilation policy implementations during the New Order era was prohibiting the display of Chinese traditions and culture in public. This discriminatory policy ended in the Abdurahman Wahid Presidential era, marked by the revocation of Presidential Instruction No. 14 of 1967 through Presidential Decree No. 6 of 2000. The Chinese community regained the rights to publicly practice their religion, traditions and culture. This study investigates the forms of Surakarta Chinese community’s cultural recontestation after this revocation. This study uses historical method. Primary sources include archives of Inpres No. 14 of 1967 and no. 26 of 1998, Kepres No.6 of 2000 and interview data. The results show that after the revocation of Inpres No. 14 of 1967, the Surakarta Chinese community regained the freedom to practice their religion, traditions, and culture in public, such as praying at the temple, holding Grebeg Sudiro Festival during the Chinese New Year, revitalizing Balong Chinatown village while maintaining typical Chinese architecture, increasing the number of temples, and making Kalipepe River Bandar in Balong Chinatown village as a tourist destination. This study concludes that the Chinese community in the reformation era has regained their space for cultural contestation in public.</p> 2024-07-31T00:00:00+07:00 Copyright (c) 2024 Rudiansyah, M Bagus Sekar Alam, Tati Sugiarti, Ulfah Yanuar Lianisyah https://e-journal.unair.ac.id/MOZAIK/article/view/50425 Japanese Military Government Policy on Radio Broadcasting in Java 2024-07-11T07:24:44+07:00 Gema Budiarto history.gema@gmail.com Dewi Yuliati dewi_yuliati@yahoo.co.id Dhanang Respati Puguh dhanang.respati@live.undip <p>In World War II, radio was one of the effective communication media that could be used to spread news and propaganda. The Japanese military government in Java made efforts to control or censor radios owned by the public. Control and censorship efforts to prevent the public from listening to radio broadcast by the Allies. On the other hand, radio was also useful for Japan to spread propaganda in society. The purpose of this study is to examine the policy of the Japanese military government in controlling and utilizing radio as a propaganda media in Java during wartime. This study is a historical research, thus the method used in this study is the historical method. The primary data used were <em>Asia Raya </em>newspaper<em>, Djawa Baroe </em>magazine, and <em>Kan P</em><em>ō</em> (the government news) published by the Japanese military government in Java in 1942-1945. The results of this study show that the Japanese military government paid great attention to radio broadcasting and was strict in controlling it, radio broadcasts from enemy countries (Allies) were strictly forbidden to be listened to by the public, even the Japanese military government will impose severe punishment on the people if anyone violates. However, the Japanese military government also employed radio as a media for disseminating propaganda such as radio speeches from Japanese military officials, government programs, news, and so on.</p> 2024-07-31T00:00:00+07:00 Copyright (c) 2024 Gema, Dewi Yuliati, Dhanang R Puguh https://e-journal.unair.ac.id/MOZAIK/article/view/52161 Naming and Branding of Madurese Traditional Culinary 2024-07-08T10:21:58+07:00 Rosyida Ekawati rosyida.ekawati@trunojoyo.ac.id Diah Ikawati Ayuningtiyas diah.ayuningtias@trunojoyo.ac.id <p>Madura has diverse culinary specialties. This aspect of culinary naming and branding is interesting to study in relation to culinary tourism. This study aims to explain aspects of food naming and their patterns in traditional Sumenep culinary delights. In addition, it also explains the branding aspects of the food. Data on food names were obtained from the official tourism guidebook issued by the Office of Culture, Youth, Sports, and Tourism of Sumenep Regency. The results of this research show that aspects of food naming are derived from the food ingredients used, the uniqueness of the food, and the culinary origin, emphasizing its origin from Madura. The food naming uses patterns of words and phrases. If it is used a single word then the name of the food is unique, and if it is used a phrase pattern then the second word explains the first word, either for material or origin. Meanwhile, the culinary branding aspect in the tourist guidebook is to use explanations of authentic, distinctive, easy to find, delicious, affordable prices and cultural heritage. The terms used provide a positive image for traditional Madurese culinary delights.</p> 2024-07-31T00:00:00+07:00 Copyright (c) 2024 Rosyida Ekawati, Diah Ikawati Ayuningtias https://e-journal.unair.ac.id/MOZAIK/article/view/50339 Women in Mass Media in Under the Silver Lake (2018): A Saussure’s Semiotics Study 2024-07-05T10:58:05+07:00 Naura Fitri Amanda naura.amanda@mhs.unsoed.ac.id Mia Fitria Agustina mia.agustina@unsoed.ac.id Ririn Kurnia Trisnawati ririn.trisnawati@unsoed.ac.id <p>This study examines the portrayal of women in the mass media in a movie <em>Under the Silver Lake </em>(2018). This study used a qualitative method and Saussure’s semiotic theory to analyze women in the mass media in the movie, particularly on the connection between the portrayal of women and its meaning based on social conception. There are two types of mass media in the movie that are analyzed: print ads and magazines. The first focuses on the 1969 Tipalet print ads, and the second is from the 1970 Playboy magazine. The findings indicate that women in mass media are not merely portrayed as models or figures to promote a product. Instead mass media is inclined to use their portrayal as a medium to promote the ideas of women objectification. The portrayal of women in those mass media; thus, they often appear objectified, exploited, and undervalued. They are depicted in their most sexual appearance, which does not account for them as equal human beings. Such portrayals of women in conventional mass media provide the most harmful and unequal representation of women.</p> 2024-07-31T00:00:00+07:00 Copyright (c) 2024 Naura Fitri Amanda, Mia Fitria Agustina, Ririn Kurnia Trisnawati