Audience Reception of Intermediality in Sandiwara Sastra Podcast
Downloads
Intermediality is a commonplace in the literary world, however it has not been widely found in the form of audio podcasts. The use of podcasts as a new medium for distributing audio plays can be an attractive option considering that youth as the target audience are currently very fond of podcasts. The Sandiwara Sastra podcast is interesting to study because it used a popular literary works that already have numerous readers, but it is not easy to make plays in an audio format that are liked by youth who are more familiar with visual literature. The purpose of this study is to determine the youth's reception of intermediality on the Sandiwara Sastra podcast and to find out the role of the interpretive community in the production of meaning. With Irina O Rajewsky's intermediality framework and Alasuutari's third generation audience reception analysis framework. The results show that the intermediality of the Sandiwara Sastra podcast can provide a new experience for youth as the audience in enjoying literature. The audio component makes the audience feel closer to the literary story because audio can create a theater of mind. Audio can also evoke memories and bring back nostalgia when the audience listens to them. The use of the Sandiwara Sastra podcast also gives the audience a choice regarding the mode of listening to the podcast, even though the audience is not focused on enjoying literature.
Alasuutari, Pertti. (1999). Rethinking the Media Audience: The New Agenda. London: Sage Publications
Baran, Stanley J. dan Dennis K. Davis. (2010). Teori Komunikasi Massa Dasar, Pergolakan, dan Masa Depan. Jakarta: Salemba Humanika.
Barker, Chris. (2005). Cultural Studies; Teori & Praktik. Yogyakarta: Kreasi Wacana.
Bayu, Dimas Jarot. (2021, March 10). Anak Muda Dominasi Jumlah Pendengar Podcast di Indonesia [Internet]. Retrivied from https://databoks.katadata.co.id/datapublish/2021/03/10/anak-muda-dominasi-jumlah-pendengar-podcast-di-indonesiapendengar-podcast-di-indonesia-didominasi-anak-muda.
Benjamin, Walter. (1969). The Work of Art in the Age of Mechanical Reproduction. Illuminations. New York: Schocken Books.
Bonini, T. (2015). The ‘Second Age' of Podcasting: Reframing Podcasting as A New Digital Mass Medium. Quaderns del CAC 41.
Donaldson-Evans, Mary. (2009). Madame Bovary at the Movies: Adaptation, Ideology, Context. Amsterdam dan New York: Rodopi
Eka, R. (2018, August 27). Laporan DailySocial: Penggunaan Layanan Podcast 2018 [internet]. Retrivied from https://dailysocial.id/post/laporan-dailysocial-penggunaan-layanan-podcast-2018. Accessed on 29 September 2020
Goodman, David. (2010). Distracted Listening: On Not Making Sound Choices in the 1930s. dalam Sound in the Age of Mechanical Reproduction / edited by David Suisman and Susan Strasser. Philadelphia: University of Pennsylania Press.
Guralnick, E. S. (1985). Radio Drama: The Stage of The Mind. The Virginia Quarterly Review, 61(1), 79–94.
Rajewsky, Irina O. (2002). Intermedialität. Francke: Tübingen.
______________. (2005). Intermediality, Intertextuality, and Remediation: A literary perspective on intermedialitas. – Intermédialités.
William, Stanton. (2004). The Invisible Theatre of Radio Drama. 46(4), 94–107. doi:10.1111/j.0011-1562.2004.00599.x
Van Leeuwen, Theo. (1999). Speech, Music, Sound. Macmillan Press LTD. London.
LAKON by Unair is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
1. The journal allows the author to hold the copyright of the article without restrictions.
2. The journal allows the author(s) to retain publishing rights without restrictions
3. The legal formal aspect of journal publication accessibility refers to Creative Commons Attribution-NonCommercial-ShareAlike (CC BY-NC-SA).