Mobility and Ideological Perspective of Asano Akira in Java During Period of Japan Occupation
Downloads
The period of Japanese occupation for 3 years in Indonesia is sort when compared to the Dutch colonial period. However, at that time it was a critical time for the formation of various ideological thoughts. One of the ideologies that emerged in the Japanese colonial era was the ideology of "Greater Asia", which is known as the ideology of unification of Asia. During the Pacific War, Japanese writers who underwent military service in Indonesia published many of his writings for the purposes of Japanese military propaganda, especially those related to prapaganda of Greater Asia ideology. One of the most active writers in spreading this ideology was Asano Akira. This research clarifies the role of Asano Akira in spreading the ideology of Greater Asia through its activities and mobility in Java with the approach of new historicism and orientalism.
Anderson, Benedict, Java in Time of Revolution, Occupation and Resistance, 1944-1946, (Jakarta: PT. Equinox Publishing Indonesia, 2006).
Asiya Nobukazu ed., Sakka no Ajia Taiken Kindai Nihon Bungaku no Inga, (Tokyo, Sekaishiso, 1993).
Asada Jiro ed., Koreksion Senso to Bungaku 8 Ajia Taiheiyo Senso, (Shueisha, 2002).
Asada Kyoji, "Teikoku” Nihon to Ajia, (Yoshikawa Hirofumikan,1994).
Asano Akira, Romanha Henden (Takafumido, 1988).
Bhabha, Homi K., The Location of Culture, (New York: Routledge Classic, 2004).
Ikeda Hiroshi, Kaigai Shinshutsu Bungaku Josetsu (Inpact Shuppansha,1997).
Goto Kenichi, Kindai Nihon to Tonan Ajia, (Iwanami Shoten,1997).
Hutchinson, Rachel and Mark Williams, Representing the Other in Modern Japanese Language, A Critical Approach, (New York: Routledge, 2007).
Machida Keiji, Tatakau Bunkabutai, (Genshobo, 1967).
Kamiya Tadataka, Kimura Kazuaki ed., Nanpo Choyo Sakka- Senso to Bungaku (Sekaishisosha,1996).
Kamiya Tadataka, Kimura Kazuaki, Gaichi Nihonbungakuron, (Sekaishisosha, 2007).
Kimura Kazuaki ed., Nanpo Choyo Sakka Sosho- Jawahen 1-19, (Ryuukeishosha, 1996).
Kimura Kazuaki, Showa Sakka no Nanpoko (Sekaishisosha, 2004).
Kimura Kazuaki, Mou Hitotsu no Bungakushi –Senso no Manazashi, (Zoshinsha, 1996).
Keene, Donald, Nihon Bungaku no Rekishi- Kindai Gendaihen, (Chuokoronsha,1996).
Keene, Donald, Nihonjin no Senso-Sakka no Nikki wo Yomu, (Bungeishunjyu, 2011).
Keene, Donald, Japanese Writer and the Greater East Asia War, (The Journal of Asia Studies, Vol.23, No.2, Association for Asian Studies, 1964).
Oe Kenji, Agoden (Teiseishakan,1958).
Said, Edward W., Culture and Imperialism, (New York: Vintage, 1994).
Schiller, Jim and Barbara Martin-Schiller ed., Imagining Indonesia, Cultural Politic & Political Culture, (Athens: Center for International Studies-Ohio University, 1997).
Shono Eiji, Egu no Sora, (Rironsha, 1962).
Takami Jun, Takami Jun Zenshu, (Keishoshobo, 1974).
Takami Jun, Showa Bungaku Seisuishi, (Kodansha,1965).
Teeuw, Andries, Modern Indonesian Literature, (Netherland Springer, 1967).
Mozaik Humaniora is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Both authors and Mozaik Humaniora agree with the following attribution of journal:
1. Copyright of this journal is possession of Author, by the knowledge of the Editorial Board and Journal Manager, while the moral right of the publication belongs to the author.
2. The journal allows the author(s) to retain publishing rights without restrictions
3. The legal formal aspect of journal publication accessibility refers to Creative Commons Attribution Share-Alike (CC BY-SA).
4. The Creative Commons Attribution Share-Alike (CC BY-SA) license allows re-distribution and re-use of a licensed work on the conditions that the creator is appropriately credited and that any derivative work is made available under "the same, similar or a compatible license”. Other than the conditions mentioned above, the editorial board is not responsible for copyright violation.
