Manque í íªtre: Psychoanalysis in the Dilemma of Constructing Subject in Culture and Literature
Downloads
Psychoanalysis has been able to assert historically that it is not a closed branch of science to other disciplines. Its contribution to literature and culture makes it able to flexibly explain the dilemma of subject formation both in literature and culture. Freud, the founding father of psychology owes a debt to the Oedipus Rex story that anchors his entire thought. Acrobatically, Freud's thought was then continued by Lacan in order to explain cultural events that were born like language structure events. Language, literature, and culture then have a meeting point where the cultural process that is never final is precisely a signal that the subject always tries to overcome the shortcomings in himself when slaughtered by language. Language is unable to express itself fully, so literature and culture as products are nothing, but an extension of the subject who continues to feel lack. Zizek as the latest thinker from the previous two generations makes a foothold that the back and forth between the author and his work as an attempt to overcome the logic of deficiency or symptoms embodying the self and the fictional world in order to achieve wholeness exactly like the experience of returning to the mother's body or the real.
Bhabha, H. K. 2012. The Location of Culture. London & New York: Routledge.
Daher, R. F. 1996. "Conservation in Jordan: A Comprehensive Methodology for Historical and
Cultural Resources.” Journal of Architectural Conservation 2 (3), 65”81. DOI: 10.1080/13556207.1996.10785172
Deleuze, G. & F. Guattari. 2003. Anti-Oedipus: Capitalism and Schizophrenia. Mansell Publishing.
Denzin, N. K. & Y. S. Lincoln. 2017. The SAGE Handbook of Qualitative Research. SAGE Publications.
Fanon, F. 2017. Black Skin, White Masks. London: Pluto Press.
Fink, B. 1997. The Lacanian Subject: Between Language and Jouissance. Princeton: Princeton University Press.
Freud, S. 1975. Beyond the Pleasure Principle. New York: WW Norton.
________. 2008. Three Essays on the Theory of Sexuality. New York: Basic Books.
Freud, S. & R. Rorty. 2022. Civilization and Its Discontents. New York: Warbler Press.
Homer, S. 2005. Jacques Lacan. Routledge.
Hugo, V. & I. F. Hapgood. 2015. Les Misérables. Canterbury Classics.
Lacan J. 1997. Jacques Lacan - The Ethics of Psychoanalysis 1959”1960 (Seminar of Jacques Lacan). New York: WW Norton.
________. 2006. Ecrits: The First Complete Edition in English. New York: WW Norton.
________. 2021. Ecrits: A Selection. London & New York: Routledge.
Morrison, T. 1990a. Beloved. Penguin Putnam.
________. 1990b. The Bluest Eye. Picador.
________. 1998. Sula. Vintage.
Orwell, G. 2005. 1984. Destino Ediciones.
Parsons, W. B. 1998. "The Oceanic Feeling Revisited.” J. Relig. 78 (4), 501”523.
Robet, R. 2010. Manusia Politik: Subyek Radikal dan Politik Emansipasi di Era Kapitalisme Global Menurut Slavoj Žižek. Tangerang: Marjin Kiri.
Said, E. W. 2003. Orientalism. Penguin Classics.
Saukko, P. A. 2003. Doing Research in Cultural Studies: An Introduction to Classical and New Methodological Approaches. SAGE Publications.
Thurschwell, P. 2009. Sigmund Freud. London & New York: Routledge.
Zizek, S. 2009. The Fragile Absolute: Or, Why is the Christian Legacy Worth Fighting for?. London & New York: Verso Books.
________. 2019. The Sublime Object of Ideology. London & New York: Verso Books.
Copyright (c) 2023 Ghanesya Hari Murti
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Mozaik Humaniora is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Both authors and Mozaik Humaniora agree with the following attribution of journal:
1. Copyright of this journal is possession of Author, by the knowledge of the Editorial Board and Journal Manager, while the moral right of the publication belongs to the author.
2. The journal allows the author(s) to retain publishing rights without restrictions
3. The legal formal aspect of journal publication accessibility refers to Creative Commons Attribution Share-Alike (CC BY-SA).
4. The Creative Commons Attribution Share-Alike (CC BY-SA) license allows re-distribution and re-use of a licensed work on the conditions that the creator is appropriately credited and that any derivative work is made available under "the same, similar or a compatible license”. Other than the conditions mentioned above, the editorial board is not responsible for copyright violation.