Penubuhan mimer dalam proses kreatif pertunjukan pantomim
Downloads
Allen Ness S A (2004) Being a body in a cultural way: Understanding the cultural in the embodiment of dance. In Thomas, H. dan Ahmed, J (ed). Cultual Bodies Ethnography and Theory. Oxford, UK: Blackwell Publishing. 123–144.
Atkinson P (2006) Opera and the embodiment of performance. In Waskul D dan Vannini P (ed). Body/Embodiment Symbolic Interaction and the Sociology of the Body. Burlington, USA: Ashgate Publishing Company. 95–108.
Iswantara N (2004) Sri Murtono: Teater tak pernah usai. Semarang: Intra Pustaka Utama.
Simatupang L (2013) Pergelaran sebuah mozaik penelitian seni-budaya. Yogyakarta: Jalasutra.
Soedarsono RM (1998) Seni pertunjukan Indonesia di era globalisasi. Jakarta: Dirjen Pendidikan Tinggi Departemen Pendidikan dan Kebudayaan.
Suhariyadi (2014) Dramaturgi. Sukodadi, Lamongan: CV Pustaka Ilalang Grup.
Wainwright S P dan Turner BS (2004) Narratives of embodiment: Body, aging, and career in royal balet dancers. Thomas H dan Ahmed J (ed). Cultural Bodies Ethnography and Theory. Oxford, UK: Blackwell Publishing. 98–120.
Waskul D dan Vannini P (2006) Body/embodiment symbolic Interaction and sociology of the body. Burlington, USA: Ashgate Publishing Company. 3–8.
Copyright of this journal is possession of Editorial Board and Journal Manager, by the knowledge of the author, while the moral right of the publication belongs to the author.
The formal legal aspect of journal publication accessibility refers to Creative Commons Attribution-NonCommercial-ShareAlike (CC BY-NC-SA), implies that publication can be used for non-commercial purposes in its original form (cannot be modified).
Every publication (printed/electronic) are open access for educational purposes, research, and library. Other than the aims mentioned above, the editorial board is not responsible for copyright violation.