The symbolic meaning of Lulo dance: Tolaki tribe culture as communication medium
Downloads
Indonesia consists of various ethnic groups; the traditions and culture of each are different and have meaning. One of them is the Lulo dance from Southeast Sulawesi, which provides meaning and benefits to its supporters. This study aims to describe the Lulo dance movements' meaning in the culture of the Tolaki tribe and its use as a traditional communication medium in maintaining harmonious and peaceful relations amid Indonesian society's situations with so many different. This research used qualitative methods with descriptive analysis. The symbols of dance movements are analyzed with Barthes's semiotic theory through two stages of signification to get Lulo dance's meaning. Based on this study's results, the symbolic messages conveyed in this dance have a meaning that identifies unity, harmony, and mutual respect for differences. The message is packed with movements displayed in dance performance: the hands hold each other, the movements of the hands and feet, and the formation in a circle. Lulo dance, which is also called social dance, can be followed by everyone without exception. Therefore, this dance can strengthen the relationships between every human being. The Lulo dance performance is one of Southeast Sulawesi traditions used to achieve a harmonious and peaceful social life.
Abas M & Haq P (2016) Indeks kerukunan umat beragama di Kota Kendari ditinjau dari aspek hubungan sosial, hubungan keagamaan, nilai dan peran pemerintah. Jurnal Penelitian Pendidikan Sejarah 1 (1):1-11. http://dx.doi.org/10.36709/jpps.v1i1.7350.
Alim A (2015) Transformasi tari Lulo pada masyarakat Tolaki di Kabupaten Konawe, Sulawesi Tenggara. Dissertation, Universitas Udayana, Denpasar.
Andung PA & Nope HA (2017) Media rakyat sebagai media komunikasi pembangunan masyarakat Suku Boti. Jurnal Ilmu Komunikasi 14 (2):277-292. https://doi.org/10.24002/jik.v14i2.870.
Apindis GAMC, Hanum SH, & Hartati S (2018) Makna simbolik tari Kejei suku Rejang. Jurnal Sosiologi Nusantara 4 (2):64-75. https://doi.org/10.33369/jsn.4.2.64-75.
Arifianto S (2015) Use of traditional art as means of public information dissemination. IPTEK-KOM 17 (1):71-86.
Dalma MT (2019) Kalosara dari dulu hingga kini: Merawat perdamaian, mengokohkan persatuan. [Accessed 19 March 2020]. https://zonasultra.com/kalosara-dari-dulu-hingga-kini-merawat-perdamaian-mengokohkan-persatuan-bagian-1.html.
Effendy OU (2011) Ilmu Komunikasi Teori dan Praktek. Bandung: Remaja Rosdakarya.
Hardjana AM (2003) Komunikasi Intrapersonal & Komunikasi Interpersonal. Yogyakarta: Kanisius.
Ibrahim IS (2007) Budaya Populer sebagai Komunikasi: Dinamika Popscape dan Mediascape di Indonesia Kontemporer. Yogyakarta: Jalasutra.
Ida R (2014) Metode Penelitian Studi Media dan Kajian Budaya. Jakarta: Prenada Media Group.
Imawan K (2013) Pesan simbolik dalam seni tari Bedaya Kajongan sebagai realitas budaya masyarakat Cirebon. Signal 1 (2):1-11.
Istiyanto SB & Novianti W (2018) Etnografi komunikasi komunitas yang kehilangan identitas sosial dan budaya di Kabupaten Cilacap. Jurnal Kajian Komunikasi 6 (1):64-77. https://doi.org/10.24198/jkk.v6i1.15213.
Kholil S, Zulkarnaen I, Mauidhah CA (2017) Pesan-pesan komunikasi Islam dalam tarian tradisional Seudati Aceh (analisis semiotika). AT-BALAGH 1 (1):29-40.
Kusuma PKN & Nurhayati IK (2017) Analisis semiotika Roland Barthes pada ritual Otonan di Bali. Jurnal Manajemen Komunikasi 1 (2):195-217. https://doi.org/10.24198/jmk.v1i2.10519.
Kusumawati TI (2016) Komunikasi verbal dan nonverbal. Jurnal Pendidikan & Konseling 6 (2):83-98.
Lagu M (2016) Komunikasi antar budaya di kalangan mahasiswa etnik Papua dan etnik Manado di Universitas Sam Ratulangi Manado. Acta Diunar 5 (3):1-10.
Melamba B, Syukur L, & Nggawu L (2015) The Lulo dance from traditional to MURI Record: Historical analysis of Tolakinese culture in Southeast Sulawesi, Indonesia. Tawarikh 7 (1):87-98. https://doi.org/10.2121/tawarikh.v7i1.625.
Moleong LJ (2010) Metodologi Penelitian Kualitatif. Bandung: Remaja Rosdakarya.
Mulyana D (2013) Metodologi Penelitian Kualitatif: Paradigma Baru Ilmu Komunikasi dan Ilmu Sosial Lainnya. Bandung: Remaja Rosdakarya.
Ngare F (2014) Studi komunikasi budaya tentang upacara ritual Congko Lokap dan komunikasi dalam pengembangan pariwisata daerah Manggarai Provinsi Nusa Tenggara Timur. JIKA 1 (1):40-50. https://doi.org/10.31294/kom.v1i1.230.
Putra YMP (2018) 11 warisan budaya Sultra masuk warisan nasional. [Accessed 3 April 2020]. https://nasional.republika.co.id/berita/nasional/daerah/18/03/15/p5ms81284-11-warisan-budaya-sultra-masuk-warisan-nasional.
Rahayuni R (2016) Pesan-pesan dakwah dalam film "Syurga Cinta”. Thesis, UIN Sunan Kalijaga, Yogyakarta.
Rakhmat J (1996) Psikologi Komunikasi. Bandung: Remaja Rosdakarya.
Saprillah (2016) Mengukur indeks kerukunan antar umat beragama di Kabupaten Konawe Selatan. Jurnal ‘Al-Qalam' 20 (2):269-280. https://doi.org/10.31969/alq.v20i2.196.
Sobur A (2013) Semiotika Komunikasi. Bandung: Remaja Rosdakarya.
Sulaeman, Kamaruzzaman, & Malawat M (2019) The Ma'atenu communication rituals of Pelauw Muslims community. Jurnal Masyarakat, Kebudayaan dan Politik 32 (4):426-441. https://doi.org/10.20473/mkp.V32I42019.426-441.
Tamunu VR, Waani FJ, & Tumengkol SM (2018) Analisis interaksionisme simbolik terhadap penyimpangan perilaku siswa (Kajian sosiologi pendidikan terhadap pelanggaran tata tertib siswa di SMA Negeri 9 Manado). Jurnal Holistik 11 (21):1-20.
Tarimana A (1993) Kebudayaan Tolaki. Jakarta: Balai Pustaka.
Walujo KW (2011) Wayang sebagai Media Komunikasi Tradisional dalam Diseminasi Informasi. Jakarta: Kementerian Komunikasi dan Informatika RI, Direktorat Jenderal Informasi dan Komunikasi Publik.
Wibowo ISW (2011) Semiotika Komunikasi: Aplikasi Praktis bagi Penelitian dan Skripsi Komunikasi. Jakarta: Mitra Wacana Media.
Wijaya HF & Marta RF (2015) Mitologi budaya pada gelang dukacita sebagai atribut upacara kematian dalam tradisi Tionghoa Bangka dan Cina Benteng. Semiotika: Jurnal Komunikasi 9 (1):223-251.
Copyright of this journal is possession of Editorial Board and Journal Manager, by the knowledge of the author, while the moral right of the publication belongs to the author.
The formal legal aspect of journal publication accessibility refers to Creative Commons Attribution-NonCommercial-ShareAlike (CC BY-NC-SA), implies that publication can be used for non-commercial purposes in its original form (cannot be modified).
Every publication (printed/electronic) are open access for educational purposes, research, and library. Other than the aims mentioned above, the editorial board is not responsible for copyright violation.